Sunday 22 April 2012

Writing for the Media


Writing for the Media
News
News is a construct of journalism. News is what journalists say it is. News relies on shared experiences – shared pictures in our heads – about what is going on in our society
Why is news important?
• It fulfills our psychic need to know what is going on around us; to feel a part of our society and environment
• News helps us make decisions about our lives – from what to wear on a particular day to where to live, what to do and how to spend our lives.
• News helps us prioritize our lives
            -- alerts us to dangers
            -- lets us know what to anticipate
            -- lets us know what others are thinking
• News is part of the shared information – information we assume everyone else has – that makes us a part of a community.
• News allows us to participate in civic  life, to take part in discussion and debate.
CHAPTER 2 BASIC  NEWSWRITING What elements make a news story and how are they used to construct a story? If you were to pose these questions to a group of reporters, it is probable that no two of them would give the  same  responses.  However,  all  would  most  likely include in their answers a similar list of elements they consider necessary for a story to be newsworthy. This  chapter  will  include  this  “list”  of  sorts  and other  essentials  that  will  help  you  be  successful  in writing the basic news story. BASIC ELEMENTS OF A NEWS STORY LEARNING   OBJECTIVE:   Identify   the   basic elements of a news story. For the purposes of this TRAMAN, we will use the following  10  categories  as  those  covering  the  major elements of news: Immediacy Proximity Consequence Conflict Oddity S ex E m o t i o n P r o m i n e n ce S u s p e n s e P r o g r e s s If any one of these elements is present, a story has news  value,  but  many  stories  contain  more  than  one element.  Remember  this  latter  fact  as  you  study  the material   that   follows   because   even   though   the   10 elements are used as the framework of this discussion, several  of  the  examples  given  might  just  as  well  be discussed under different elements. Remember,  too,  that  this  is  just  one  possible classification;  another  textbook  might  have  classified these  elements  in  slightly  different  categories.  Rather than  memorizing  a  set  of  categories,  your  chief  concern will   be   to   develop   your   understanding   of   what constitutes  an  interesting  news  story. IMMEDIACY A  story  that  has  just  happened  is  news;  one  that happened  a  few  days  ago  is  history.  Immediacy  is timeliness. Few events of major significance can stand up as news if they fail to meet the test of timeliness. There  is  no  point  in  submitting  a  news  release  on  a routine change of command that occurred four days ago; the event is not big enough to overcome the time lag. A newspaper looks foolish if it publishes a news story, and after reading it, a subscriber says, “I heard about that two days ago.” However, an event that occurred sometime ago may still be timely if it has just been revealed. Examples are a  newly  discovered  diary  of  John  Paul  Jones  or  the disclosure of a startling scientific accomplishment that occurred months ago, but has just been declassified. In these cases, the immediacy element revolves around the fact that the news was revealed or disclosed today. An up-to-the-minute  touch  is  provided  by  words  such as   “newly   disclosed,”   “revealed,”   “divulged”   or “announced  today.” PROXIMITY Readers  are  interested  in  what  happens  close  to them. Proximity is the nearness of an event to the readers or listeners and how closely it touches their lives. People are  interested  mainly  in  themselves,  their  families,  their ships or stations, their friends and their home towns. If Capt.  Gunn  relieves  Capt.  Stone  as  commanding  officer of Naval Station Annapolis, it is news in the Annapolis, Baltimore and Washington areas and in the two officers’ home towns. It is not news in Huntsville, Ala., where no one  knows  either  captain  or  cares  particularly  who commands a naval station in Maryland. Improvement or  progress  stories  are  important  in  their  degree  of proximity. The Navy’s home town news program is based on this element. When Thomas Katt, Seaman Apprentice, USN, reports to USS Pine, it is news for his hometown 2-1
 
News values – characteristics of information that make an event or subject news; they include categories: Immediacy, Proximity Consequence, Conflict, Oddity, S ex, E m o t i o n, P r o m i n e n ce, S u s p e n s e, P r o g r e s s. If any one of these elements is present, a story has news value, but many stories contain more than one element.
Immediacy A  story  that  has  just  happened  is  news;  one  that happened  a  few  days  ago  is  history.  Immediacy is timeliness.
Proximity Readers are interested in what happens close to them. Proximity is the nearness of an event to the readers or listeners and how closely it touches their lives. People are interested mainly in themselves, their families, their friends and their home towns.
Consequence News   of   change   or   news   that   affects   human relations is news of consequence.  The more people affected, the greater the news value.
Conflict Sporting events, wars and revolutions are the most common examples of conflict in the news. Man maybe pitted against man, team against team, nation against nation or man against the natural elements.
Oddity The unusual or strange will help lift a story out of the ordinary.
Sex- Sometimes sex is the biggest single element in news, or at least it appears to be the element that attracts readers the most. The element of sex ranges from front-page   sensationalism   to   news   involving engagements and marriages. Stories and accompanying pictures of movie stars or other prominent celebrities  
Emotion/Human Interest -The  emotional  element,  sometimes  called  the human  interest  element,  covers  all  the  feelings  that human   beings   have,   including   happiness,   sadness, anger, sympathy, ambition, hate, love, envy, generosity and humor. Emotion is comedy; emotion is tragedy; it is the interest man has in mankind.  A  good  human interest  story  can  range  from  a  real  “tearjerker”  to  a rollicking farce.
Prominence -Prominence is a one-word way of saying “names make news.”  When a person is prominent, like the President, almost anything he does is newsworthy — even his church attendance.
Progress- In our technologically advanced society, we are interested   in   space   exploration/nuclear exploration/medicine.
Spot and Created News
Spot news-just happens.   A plane   crashes.   A   heroic   rescue   takes   place   in   a storm-tossed sea. These are just a few examples.
Created   news-is   generally   concerned   with something an organization has done or plans to do which the public should know about.

Classes of News Stories
Hard News It usually concerns a news item involving or affecting the readers, listeners or viewers. The hard news story has usually taken place since a previous issue of a newspaper or a radio or television newscast. Much of the material found in daily papers (especially front-page items) or newscasts are in the hard news category. The hard news story is designed primarily to inform. In Kenya, Mostly political/govt issues. 
Soft news: More of feature stories focusing on human interest.

News style vs. Literary English

  • Literature is known for encouraging dramatic styles, vivid descriptions and the eloquent conversation of characters. However, such writing differs from the   fundamentals   of Newswriting.

  • Almost any idea, no matter how complicated, can be expressed in simple language.

  • As a journalist, you may have to explain some fairly technical ideas to readers who are not familiar with some concepts. You will have to do it in language they will understand. It is up to you to do the work of simplification, not your readers


  • Media writing is geared to the public, not the professor. The purpose is to inform, not to impress

  • If readers find your writing is over their heads, they will skip your piece and go on to something that is easier to read. If this happens, you are not doing your job.

THE ABCs OF Writing for the media

 Some  principles  of  newswriting  you  must  apply every time you attempt to put words on paper include accuracy,  brevity,  clarity,  coherence,  emphasis, objectivity  and  unity.

ACCURACY-Accuracy should never be violated. The media writer works with facts. These facts will involve persons, places and things.  They will involve names, ages, titles or ratings, addresses and descriptions. One cannot afford to be casual in approach to facts. Readers will often judge the media organization on what you say and how you say it. An easy way to lose the public’s respect and confidence is by being careless in your handling of facts.   Attribution relates to accuracy. It means that you name the person who makes any statement that may be challenged.
Good quotations;
  1. liven a story
  2. Give it color
  3. Aid in development of coherence.
  4. Ensures that the reader does not get the impression the statement is the writer’s personal opinion.  

Brevity By all means, be brief, but not at the expense of completeness. The key is to boil down your writing and eliminate garbage. A compact piece of writing is frequently much stronger than a lengthy story. An example is Lincoln’s Gettysburg Address.

Clarity Avoid misunderstanding and ambiguity in writing. If there is any chance of misunderstanding, readers will misunderstand.  Reread  what  you  have written  looking  for  points  that  could  lead  to  readers’ misunderstanding.

Coherence An article that skips illogically from topic to topic and back again in a jumbled lacks coherence.  Facts should follow facts in some kind of reasonable order. It may be logical order, chronological order, place order or order of importance, depending on the subject, but order of one kind or another is vital. Outlining will often help.
Emphasis Make sure your writing emphasizes what you want it to. You assure this in Newswriting by putting the most important fact first (the lead). Other types of arrangements for emphasis are used in feature stories or in.editorials-2be discussed later.
Objectivity To report news accurately, you must keep yourself detached   from   the   happenings   and   present   an impersonal, unbiased, unprejudiced story. Avoid emotionalism-Al Jazeera.
Unity A news story should deal with one basic topic. There may be many facts and ins and outs to the story, but it is still one story. Avoid two stories in one.

THE LANGUAGE OF NEWSWRITING
Written language is made up of three elements — words, sentences and paragraphs. It. is the way these elements  are  handled  that  makes  the  difference  between literary and news English. Briefly, let us look at these elements   separately.
Words-Words  are  your  basic  tools.  Like any skilled technician, you should be able to select the best tools to do the best job.
-          use words that say exactly what you mean so they can be understood by others.
-          Every word used in a news story should add to the picture you are building in the minds of your readers. If you use an unnecessary, vague or unfamiliar word, this picture  becomes  blurred.
-          It is an axiom of Newswriting that words that do not work for you, work against you. tips on making words work for you.

Avoid  confused writing.—  (science writing) often  marked  by pseudotechnical language  that  readers  cannot  understand.  In writing a technical   story,   do   not   parrot   the   words   some technical-minded researcher pours out.  Simplify. Ask, “What does this mean in everyday English?”  Few people,   for   example,   know   what   “arteriosclerosis” means. But when you say “hardening of the arteries,” they immediately understand.
Avoid Verbiage. —inexperienced writers put unnecessary words into their news copy. Call a   spade   a   spade,   not   “a   long-handled   agricultural implement  utilized  for  the  purpose  of  dislodging  the earth’s  crust.” Short, common words are easy to understand when, in many cases, long words are not. If you must use a longer  word,  make  sure  you  are  using  it  to  convey  a special  meaning,  eg.
  This   also   applies   to   veracity   for truth, monumental for big, apprehension for fear, canine for dog   “due to the fact that” instead of “because”?
Be Specific. —   Inexactness is just as bad as wordiness.   Readers   want   to   know   specific   facts. Consider the following example of this:

Vague:  Some Kogelo villagers were turned away that afternoon.
Specific:   Ten Kogelo villagers   were   turned away before the Obama inauguration.
Avoid trite/h a c k n e y e d expressions— These are the mark of either an amateur   or   a   lazy   writer.   Some   particularly   bad examples include the following: Cheap as dirt Smart as a whip, Fat as a pig Nipped in the bud, Good as gold, Wee hours, Ripe old age, Picture of health, Crystal clear, Quick as lightning, Bouncing baby boy/girl.

Use strong, active verbs. — Whenever possible, use active voice and the simple past tense. The use of these injects life, action and movement into your news stories. In Newswriting, adverbs often do nothing more than clutter writing.  Consider the following example:
Weak (passive   voice):   The   visitors   were warmly received by the prime minister in his office. Stronger (active voice):  The Prime Minister received the visitors in his office.
Avoid Jargon-From any professional perspective
Watch Spelling and Grammar –have good wrting skills and proper command of the language.
Use a stylebook. — In newswriting, the word style refers to the spelling, punctuation, capitalization, abbreviation and similar mechanical aspects of grammar used in preparing copy (a term used to describe all news manuscripts).  Most newspapers and other periodicals   have   their   own   style   sheets   or   local interpretations of style rules. The important thing for you to remember about style is consistency.

Sentences-The second element of language is the sentence. The simple declarative sentence that consists of subject and verb, or  subject,  verb  and  object  is  the  most  common form in normal, informal conversation. For this reason, it is  the  best  sentence  structure  for  most  newswriting.

Notice   how   the   following   sentence   becomes   more simple  sentences:

Sentence:  Following  his  graduation  from  Moi University in   1988,  Chege was hired by the Central Bank, where he served three years as assistant communications officer.
Rewrite:  Chege graduated from Moi University in   1988. He worked for three years at the central Bank as assistant communications officer.

Simplifying sentences is not difficult, but it does take a little practice. In time, you can learn to use just the right number of words to achieve maximum clarity without destroying smoothness. There are no absolute rules, but a fair guide is to try to keep sentences to 30 words or less and to shoot for 17 to 20. Vary the length of your sentences. For example, you  might  use  a  four-word  sentence,  then  a  15-word sentence,  then  an  eight-word  sentence,  followed  by  a 30-word   sentence.   This   keeps   your   writing   from becoming singsong.
Do  not  clutter.—  Never  crowd  too  many details  into  one  sentence.  Although  a  compound  or complex sentence may contain more than one thought, you  should,  for  the  most  part,  stick  to  sentences  that express one thought clearly and concisely. Otherwise, the  reader  is  apt  to  get  lost  in  a  mass  of  clauses  and details.

Do not repeat— If you say in the lead of your story that 61 people were killed in an accident, do not mention later in the story that 61 were killed. If the readers forget a fact, they can look back.   Space in media is valuable; do not waste it with redundancy. Refrain from beginning a sentence with the same word as the last word in the previous sentence and avoid beginning consecutive sentences alike, unless you do it deliberately for emphasis.

Paragraphs-
  • The most general guideline for writing paragraphs is that they should be kept reasonably short.
  • When you use short paragraphs, you give the reader facts and ideas in smaller packages that are easier to handle. The mind can grasp a small unit of thought more easily than a large unit.
  • Most news copy is set in narrow columns with only three to five words per line. Paragraphs should be less than 60 words.
  • Two or three sentences per paragraph are just about right, but it is   perfectly   acceptable   to   have   a   one-sentence paragraph, or even a one-word paragraph, if it expresses a complete thought. Yet, a succession of very short paragraphs may give a choppy effect to the writing.
  • For best effect, alternate paragraphs of short and medium length.  Never begin succeeding paragraphs with the same words or phrases. This, too, can cause a monotonous effect that will soon discourage the reader.

Nb: (Augment this reading with the handout on ‘common errors in journalistic writing)


News REPORT


In fiction/literary writing the writer deliberately holds back the climax to build suspense and to make sure the reader reads the entire story. Most news stories, however, are constructed in just the opposite fashion.  The climax is presented first.
This  method  packs  the  most  important  facts  together with the barest necessary explanatory material into the first  paragraph-the  summary  lead.
A news story then   moves into the detailed portion of the story (the body) by covering the facts in diminishing order of importance.
This form of newswriting  is  commonly  known  as  the  inverted pyramid style because when it is diagramed, it appears as an upside-down pyramid

ADVANTAGES OF THE INVERTED PYRAMID STYLE
Presents Pertinent Facts First Most readers have neither the time nor the desire to read every word of every story in a newspaper. By using the summary lead, the writer focuses the reader’s attention on the news, arouses the reader’s interest and allows the reader to swiftly skim important facts. In other words, spill the whole story in the first paragraph. The reader can decide whether to continue reading the details or to go on to something else.
The primary objective of a news story then, is not to withhold information, but to present the facts with rapid, simple directness.

Facilitates Page Layout The inverted pyramid method of story construction is a valuable tool to the makeup person who is confronted with an eight-inch story and only six inches of column space. If the story has been written in inverted pyramid form, it becomes a simple matter of cutting lines of type from the bottom of the story until it fits the available space

Facilitates Headline Writing Headlines for news stories should tell the main facts in the briefest form. If a story is written in the proper inverted pyramid style, the copyreader (who writes the headline) can find these facts in the first paragraph.

THE LEAD
The opening paragraph of a news story is referred to as the lead (pronounced “leed”)-consist of who-what-when-where-why-how.
The lead is the first and most important paragraph of any news story. It attracts the reader and-states the important   facts   first.

In writing a lead for a straight news story, the writer must answer six basic questions about the event. Known as the five Ws and H questions, they are as follows:  who, what, where, when, why  and how. It is not necessary that a writer answer all of these questions in the lead sentence. \

The lead contains the news peg and is the most important part of the story. It can either make or break any news story.



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